I was 20 years old when I learned that the human body could be reduced to a stopwatch.  I’m not talking about metaphor, I’m talking about something literal, measured, repeated with mechanical precision. 9 minutes.  This was the time allotted to each German soldier before the next one was called.  There was no clock hanging on the wall of room six, no visible dial.

And yet, we all knew with terrifying accuracy when those minutes were ending. The body learns to count time when the mind has already given up thinking. My name is Elise Martilleux.  I am now years old and this is the first time I have agreed to talk about what really happened in this administrative building converted into a detention area on the outskirts of CompiNigne between April and August 1943.

Almost no official records mention this place.  The few documents that mention it are lying.  They say it was simply a sorting center, a temporary transit point to larger camps .  But we, those of us who were there , know what really went on behind those grey walls.  I was an ordinary young girl, the daughter of a blacksmith and a seamstress, born and raised in Saintlis, a small town located northeast of Paris.

My father died in 1940 during the French collapse, crushed somewhere on a road crowded with refugees.  My mother and I survived by sewing uniforms for German officers, not by choice, but because it was that or starve to death in an occupied country where every piece of bread was traded for one’s dignity. I had chestnut hair that fell to my shoulders, small and skillful hands, and I still believed, with that naiveté typical of youth, that if I kept my head down, if I didn’t draw attention to myself, the war would pass by me without really

touching me.  But on April 12, 1943, three soldiers from Verre Marte knocked on our door early in the morning.  The sun had not yet risen.  They said my mother had been reported for hiding a clandestine radio.  That was n’t true.  We had never owned a radio.

But in those dark days, the truth no longer mattered  .  They took me away simply because I was there, because I was the right age, because my name was on a list that someone somewhere had drawn up in a cold, anonymous office.  We were transported in a freight truck with eight other women.   No one was speaking.  The engine roared like a mechanical beast.  The treacherous road shook us mercilessly.

And I held my mother’s hand as if we were still able to protect each other . We arrived at the building around 10 a.m.  It was a three-story grey building with tall, narrow windows.  A facade that must have been elegant before the war. Now she was nothing but cold, impersonal, devoid of all humanity.

They separated us as soon as we entered.  My mother was taken to the second floor, I to the ground floor. I never saw him again.  I later learned from a prisoner who had survived longer that she had died of the same three weeks after our arrival in a cell without ventilation where the air itself seemed putrefied.  But at that moment, as the door closed between us and his face disappeared behind the dark wood, I still believed that we would meet again .

I still believed that this nightmare would end. If you are listening to this story right now , no matter where in the world you are, know that it had been buried for more than six decades.  Elise only spoke once, and that was so that today we could finally hear what the official archives have erased. If this testimony moves you, leave a like, comment from where you are watching this documentary.

Stories like this only survive when someone decides they deserve to be remembered.  I was placed in a room with 12 other young women.  They were all between 18 and 25 years old.  None of us knew exactly why we were there, what crime we had supposedly committed to deserve this treatment.  Some had been caught with resistance leaflets hidden under their coats.

Others, like me, were simply in the wrong place at the wrong time, with the wrong name on the wrong list.  One of them, Marguerite, was barely 17 years old.  She was crying without stopping, silent sobs that shook her whole body, and an older woman named Thérèse was trying to calm her by whispering that we would soon be freed, that it was just an administrative misunderstanding that would be quickly resolved, but Thérèse was lying .

Or perhaps she simply needed to believe this lie herself in order not to descend into madness .  Late in the afternoon, a German officer entered the room.  He didn’t shout.  He didn’t need it.  His voice was calm, almost bureaucratic, as he explained the new rules to us with chilling bureaucratic coldness .

He said that this building served as a logistical support point for troops in transit, that soldiers passed through here before heading to the eastern front.  These exhausted men needed rest and moral support before returning to the hell of war.  He used those exact words: moral support.  Then he specified that we prisoners would be designated to fulfill this function.

No one asked any questions.  No one asked what that meant exactly.  But we understood everything instantly.  He continued in a monotonous voice.  He said there would be rotations, that each soldier would be entitled to exactly minutes, and that the room designated for this was room 6 located at the very end of the ground floor corridor.

That any form of resistance would be punished by immediate transfer to Ravensbruck, a name we all knew, the women’s concentration camp about which rumors were already circulating throughout occupied France.  Then he left, leaving us alone with this heavy, suffocating, stifling silence where even the air seemed afraid to circulate.

Marguerite vomited on the cold stone floor .  Thérèse closed her eyes and began to pray in a low voice, her lips trembling on words I could not hear.  I remained motionless, staring at the door through which the officer had just left. I was trying to understand how it was possible, how the world could have come to this, how men could have decided in an office somewhere that 9 minutes was enough time to destroy someone, to reduce a human being to a mere cog in a machine of systematic dehumanization ?  That night, none of us

slept. We lay on our straw mattresses, eyes open in the darkness, listening to the ragged breathing of others, trying to mentally prepare ourselves for what lay ahead .  But how can one prepare for the IMP?  The next morning, the calls began.  If this story upsets you, know that it is one of thousands of voices that have been silenced.

Elise chose to speak out so that we would never forget .  Before continuing, take a moment to think. How many other stories have never been told?  How many women have died without anyone knowing their name, their face, their suffering ?  This documentary exists to break that silence.  Don’t let it turn off. The first time I heard my name called was on a Tuesday morning.

I remember because the sun was coming in through a crack in the wall and I thought to myself, how can there still be sun in a place like this? A guard came to get me.  He gestured for me to follow him without a word.  My legs were shaking so much that I had to lean against the wall to move forward. The other girls were looking at me.

Some looked away, others stared at me as if they were trying to memorize my face in case I didn’t come back.  The corridor was long, narrow, and smelled of dampness and cold sweat.  There were six doors.  The last one at the back was room 6. It was painted grey with a worn copper handle.  Nothing special, nothing that hinted at what was happening behind the scenes.

The guard opened the door and pushed me inside .  Then he closed it behind me.  The room was small, maybe 3 meters by 100 meters. There was a narrow iron bed against the wall, a wooden chair and a high window boarded up .  The smell. The smell was what lingered the longest.  A mixture of sweat, fear, and something older, deeper.

something I still can’t name.  A soldier was already there.  He must have been 25 years old, perhaps very blond, with a face marked by fatigue.  He didn’t look me in the eyes.  He simply said in broken French, “Get undressed.” I couldn’t move.  My body had ceased to belong to me.  It was as if I were outside, looking at myself from the ceiling, seeing this 20-year-old girl who still didn’t understand how she got there.

He repeated, ” Louder this time!” And I obeyed. I won’t describe what happened next, not because I don’t remember . I remember it with a precision that still haunts me today, but because some things don’t need to be said to be understood. What I can say is that the nine minutes wasn’t an estimate. It was a strict rule.

Another guard would knock on the door when the time was up, and the soldier would leave without a word, without a backward glance. I lay on that bed for several minutes after he left. I stared at the ceiling. There was a crack that looked like a river. I focused on that crack to avoid thinking about what had just happened, to avoid feeling my own body.

Then the door opened again, another guard, another soldier. Nine minutes again and again. That day, I counted seven times. Seven soldiers. Seven times nine  Minutes, 63 minutes in total. But for me, it felt like an eternity. When they brought me back to the common room, I could barely walk . Thérèse helped me lie down. She gave me some water. She didn’t say a word.

What could she have said? Marguerite, the youngest, was called that same afternoon. When she came back, she wasn’t speaking. She sat in a corner and stared at the wall for hours. No one tried to talk to her. We knew there were no words for it. The following days blended into one another.

There was no longer any difference between morning and evening. Just calls, doors opening, footsteps in the corridor. And that number nine. Some girls tried to count how many times they had been called. Others refused to count. I did n’t count by choice, but because my mind  clinging to anything that still resembled logic, order, something measurable.

As if by counting, I could maintain some semblance of control. But there was something worse than the minutes themselves. It was the tent. Not knowing when your name would be called, hearing the footsteps in the corridor and wondering, “Is it for me this time?” Seeing the door open and feeling your heart stop until you heard another name.

And then, when it was n’t you, there was that shame, that terrible shame of feeling relief because it was someone else, because you still had a few hours of respite, a few hours where your body still belonged to you. That, I think, is what he wanted to destroy in us. Not just our dignity, but our very humanity. He wanted us to see ourselves as objects, as numbers, as minutes on an invisible clock.

One evening, Thérèse spoke. She said she had  I had read before the war that there were methods of psychological torture where the torturers didn’t even touch their victims. They simply created a system where the victims themselves ended up destroying themselves. She said that’s what he was doing to us, that Room Six was n’t just a place of physical violence, it was a place of psychological demolition. And she was right.

But what she didn’t yet know, what none of us knew, was that even in a place designed to break us, some of us would find a way to resist. Not heroically, not spectacularly, but silently , invisibly, and yet absolutely. There was a girl in our group named Simone. She was 23, with short, boyish black hair and a gaze that never wavered , even in the worst moments.

Before the war, she had studied philosophy at the Sorbonne in Paris. She had been arrested in February for distributing leaflets calling for passive resistance.  in the streets of the Latin Quarter. The German authorities had interrogated her for three days before transferring her here to this gray building near Compiègne.

Simon didn’t talk much at first. She often stayed in her corner, arms crossed, observing everything with almost scientific attention. But one evening, after we had all been brought back to the common room, exhausted, broken, some of us unable even to cry, so drained were we , Simone stood up and sat in the center of the room. She waited for silence to settle.

Then she said something that marked me forever, something that would change the way we survived the following weeks. She said, “They can take our bodies, they can lock us up, break us, use us like objects.”  But there is one thing they cannot take away, what we choose to keep inside us.” At first, I didn’t understand what she meant.

I was too exhausted, too broken. My mind was numb, as if a part of me had detached itself so I wouldn’t have to feel the pain anymore. But Simone continued. She said that as long as we could still remember who we were before this place, as long as we held onto a fragment of our identity, our dreams, our memories, our loves, as long as we refused to become only what he wanted us to be, he couldn’t destroy us completely.

She said, “Every night, we’re going to tell each other our lives—not the one here, not the one in Room Six, but our real lives, the ones they’ll never know.” And that’s exactly what we did every night when the guards finally left us alone, when the heavy footsteps in the corridor faded away. And as the door to the common room closed with that ominous metallic clang , we gathered in a circle on the cold floor.

Some sat on their thin straw mattresses, others directly on the stones, and each of us shared something. A childhood memory, a happy moment, a dream she’d had , a book she’d loved, a dish her mother or grandmother used to make on Sundays, a song she’d freestyled while working—anything .

As long as it was ours, as long as it was something he couldn’t take away, something that existed outside these walls. Marguerite, the youngest among us, barely 17 and still sometimes crying at night, calling for her mother in her sleep, told us how she’d learned to swim in the river near her village in Brittany. She described the cold water on her skin, the July sun making the surface sparkle like thousands of diamonds.

The laughter of her  her older brother shouted encouragement to her from the riverbank. As she spoke, her eyes lit up. For a moment, she was no longer that terrified, broken girl. She had become again the carefree child playing in the clear water. Thérèse, the older woman who prayed constantly, spoke of her husband, a village schoolteacher who would read her poems by Verline and Rimbot in the evenings by the light of an oil lamp.

She recited entire verses that she knew by heart, and her voice trembled with emotion as she spoke these words that reminded her of a time when love still existed, when beauty was possible. Another girl, Louise, whose hands were calloused from working in the fields and who came from a village near Rouan, sang a lullaby that her grandmother used to sing to her when she was little.

Her voice was soft, fragile, almost broken, but she sang to the end. And when she  When it was over, we all had tears in our eyes. Not from sadness, but from something deeper, gratitude, perhaps for that moment of beauty amidst the horror. And I, I told the story of my father’s forge. My father was a blacksmith in Saintlis.

He had a small workshop at the back of our house, a space filled with tools that gleamed in the firelight, with a massive anvil in the center and a bellows that roared like a living animal. When I was little, before the war came and destroyed everything, my father often took me with him to the forge.

He would let me sit on a small wooden stool by the fire while he worked. I loved watching the metal glow red under the intense heat, gradually transforming, becoming malleable, ready to be shaped. My father would take the incandescent metal with his tongs, place it on the anvil, and strike it with his hammer in a steady, precise, almost musical rhythm.

Each blow resonated in  The workshop, and little by little, the metal took shape. It became a gate, a horseshoe, a lock, a tool. My father always told me, with that patient smile, that it was easily forged. It bends under pressure. It resists. It sometimes deforms, but it doesn’t break.

And even when it seems completely destroyed, even when it’s twisted and unusable, it can always be reforged. It can be reshaped, made to retain a memory. You see, it remembers what it was before. At the time, I didn’t really understand what he meant. I was too young. I simply nodded and continued to watch the flames dance. But in that room, amidst his broken daughters, his bruised bodies, and his torn souls, I finally understood.

We were like that. We were beaten, we were twisted, we were deformed, but we didn’t break completely. Not as long as we held onto that memory of what we had been.  We had been. Not so much that we refused to forget. Weeks passed, and our evening circles became our sacred ritual. It was the only thing that truly belonged to us in this place where everything had been taken from us.

Our clothes, our dignity, our freedom. He had taken it all. But our stories, our memories, our voices—those remained ours. Simon, who had started this tradition, often told us passages from books she had read. She had an extraordinary memory. She could recite entire pages of Camus, Sartre, Beauvoir. She spoke to us of philosophy, of existentialism, of the inner freedom that exists even when physical freedom has vanished.

One evening, she told us about the myth of Cisif. She explained how Cisif, condemned by the gods to eternally push a boulder to the top of a mountain only to see it roll back down each time, still found meaning in his existence. She said: Camus writes that we must imagine Cisif happy. Not because his task has meaning, but because  that he chose to find meaning in it, because he refused to let the gods steal his inner dignity.

I remember thinking we were like scythes. Every day, we climbed this impossible mountain. Every day, the boulder rolled back down. But every night, in this circle, we chose to remember that we were more than our suffering. One day, something strange and deeply disturbing happened. A soldier entered Room Six as usual.

I was lying on the narrow iron bed, my body tense, my mind already detached, ready to mentally fly away to another place during those interminable 90 minutes. But this time, he did nothing. He didn’t come near. He didn’t touch me. He simply sat on the wooden chair in the corner of the room and remained silent. I didn’t understand.

My heart was pounding . I was afraid, perhaps more afraid than when the  Things continued as usual. Because I didn’t know what it meant. Was it a cruel game? Would it get worse next? Was he punishing me for something I didn’t know about? But he just sat there . He was staring at the wall, or maybe the ceiling. I don’t know.

The minutes dragged on in almost unbearable silence. Then the guard knocked, and the soldier left without a word, without a glance in my direction . I was confused, terrified. I didn’t know what to think. But he came back the next day, and again the day after. Each time the same thing. He would come in, sit down, and remain silent.

Then he would leave when his time was up. On the third day, I dared to look up at him. I really looked at him for the first time. He must have been 25, maybe 26, with short blond hair, a face marked by fatigue and something else. A kind of sadness.  A deep, hollow creased his features. His hands trembled slightly. On the fifth day, he spoke.

First in German, words I didn’t understand. Then he pulled himself together and tried in French, with a heavy accent and hesitant sentences. He said, “I’m sorry.” I didn’t reply. What could I have said ? What could apologies change about what was happening here, about what all these other men were doing to all of us day after day? He continued, despite my silence.

He said he had a sister my age, that she lived near Munich, that he thought of her every time he entered this room, that he didn’t know how he had become this kind of man, how he could have agreed to participate in this monstrous system. He said he had been sent to the Eastern Front, that he had seen terrible things there, that war turned men into monsters.

I listened without  Say nothing. Part of me wanted to scream, wanted to spit in his face, wanted to tell him his apologies were worthless, that he was complicit, that he could have refused, that he could have done something. But another part of me, another part saw a broken human being before me, not broken like we were, not in the same way, not with the same suffering, but broken nonetheless.

Trapped in a system that was beyond him, beyond all of us. I have never forgiven him. I want to make that absolutely clear. What he did, what all those men did, was unforgivable. Nothing can justify what happened in that room, in that building, in all those places across Europe where women were reduced to objects for the moral support of soldiers.

But that day, when I truly looked at him for the first time, I understood something important, something that has taken me decades to fully accept. They, too, were caught in a  a system, a vast, bureaucratic, dehumanizing system that transformed human beings into machines, into numbers, into minutes, into cogs in a machine of mass destruction.

And this system was bigger, more powerful, more dangerous than any of us. In our evening circles, I finally told the other girls about this. Simon listened attentively, and then she said something I’ll never forget . She said, “This is exactly what Anna Harent would call the banality of evil.”  It is not always monsters who commit the worst atrocities.

These are ordinary people who obey orders, who cease to think for themselves, who allow themselves to be transformed into instruments of a system that is beyond them. Thérèse shook her head.  She said she could not accept that, that every man had a conscience, a choice, a responsibility. And I understood his point of view too.

The truth, I believe, lies somewhere in between .  Yes, each person has an individual responsibility, but totalitarian systems are designed precisely to crush this responsibility, to dilute it in a chain of command where no one really feels guilty because everyone is just obeying orders.

That’s the most terrible lesson I’ve learned in this building.  That horror does not always need monsters to exist.  She just needs ordinary people who look the other way, who obey, who keep quiet. In June 1943, something began to change.  The calls have become less frequent.  German troops were moving en masse eastward towards the Russian front, which was turning into a man-devouring abyss .

The building was gradually losing its strategic importance.  Some girls were transferred elsewhere to labor camps or to unknown destinations.  Others, like poor Marguerite, died from illness, malnutrition, or simply from having given up all will to live.  But even in these last few weeks, we have continued our circles.

Even when there were only seven of us left, then three, we continued to tell each other our stories, to keep alive that inner flame which was all we had left.  Simon said that it was our most powerful act of resistance .  Not armed resistance, not spectacular resistance, but existential resistance. Refusing to be reduced to what he wanted us to be.

Maintaining our humanity intact at the very heart of dehumanization. And she was right.  In room 6, during those 9 minutes repeated endlessly, they tried to destroy us.  But in our evening circles, we rebuilt ourselves minute by minute, story by story, memory by memory.  We were my father’s doing, beaten, twisted, deformed, but not broken, never completely broken because we remembered, because we refused to forget who we really were.

And it was that memory that he couldn’t take from us.  After the liberation, I returned to Saintlis.  But it was no longer my home.  It was nothing like what I had known before the war.  My mother was dead.  My father too, for a long time now, taken away in 1940 during the French debacle. The little house where I had grown up, with its garden at the back and my father’s forge in the pentille, had been looted.  The furniture had disappeared.

The blacksmith’s tools had been stolen, even the family photos hanging on the wall, his precious black and white memories had been torn down.  Nothing, absolutely nothing, remained of my former life.  I remember standing in front of that empty house for a whole hour. I was unable to move, unable to even cry.

My body was there, physically present, but my mind was still elsewhere.  A part of me had remained in that grey corridor, in that room with the iron bed.  In those 9 minutes that never really ended, an elderly neighbor, Mrs. Rousseau, saw me and invited me into her home.  She gave me hot tea and stale bread.

She looked at me with that pity that I would see so many times later in people’s eyes. This pity mixed with unease because he didn’t know what to say, because he couldn’t understand what we had been through .  She asked me where I had been.  I said it in Compiègne, in a building.  She nodded as if she understood.

But I could see that she didn’t understand anything.  How could she have?  I lived with my aunt Jeun Viè for a few months.  She lived in a neighboring village.  My aunt was kind but distant. She didn’t know how to talk to me. She walked around me as if I were fragile, as if I would break at the slightest word.  The nights were the worst.

I hardly ever slept .  When I closed my eyes, I could see everything again.  the corridor, the grey door, the faces of the soldiers and above all I saw the other girls again. Marguerite who was crying, Thérèse who was praying, Simone who was talking about resistance.  All those voices were still echoing in my head.

I woke up in a sweat, my heart pounding.  Sometimes I would scream, my aunt would run over and find me huddled in a corner, trembling.  She never asked me what had happened and I never told her. In 1946, I found work in a textile factory.  I sewed clothes from morning till night in a noisy workshop.  Work helped me.

As long as my hands were moving, I didn’t have to think.  It was a way of keeping the madness at bay.  The other female workers sometimes talk about the war.  They recounted where they had been, what they had lost.  But I never spoke.  When they asked me questions, I answered vaguely. I was in a detention center. No one insisted.

Some things were too painful to say.  In 1947, I met Henry.  He worked as a mechanic in a garage.  He was a calm man with skillful hands and a gentle gaze.  We met in a bakery.  He smiled at me.  I smiled back .  A hesitant smile, as if I had forgotten how to do it. We started seeing each other.

He would take me for walks in the old alleyways of Sley.  He never asked questions about my past.  And I never asked questions about his. We were two survivors trying to rebuild something on broken foundations.  Henry was patient, terribly patient.  When I would wake up in the middle of the night screaming, he would take me in his arms and wait for the shaking to stop.

He never asked why.  He just stayed there, present, solid.  We got married in May in a small ceremony at the town hall. No big party, no music, just a signing and a shy kiss on the steps.  We had two children.  Marie was born in 1950 and Jacques in 1953. I loved them.  My God, I loved them with an intensity that sometimes frightened me.

When I held Marie for the first time, I cried.  Not sadness, but relief.  This innocent little life was proof that something beautiful could still exist, that despite all the horror, it was possible to create love and hope.  I was a good mother.  At least, I tried.  I fed them, clothed them, educated them.  I sang lullabies.

I did everything a mother is supposed to do.  But there was still this distance, this invisible barrier between me and the rest of the world.  A part of me had remained in that corridor and it never fully returned.  Marie, at fifteen, asked me one day: “Mom, why don’t you ever really smile?”  I was unable to answer.

How could I explain that my genuine smile had been torn from me years ago in a place whose existence she would never know ?  Henry died in 1989, from lung cancer. During the last few weeks, he asked me if I had been happy with him.  I said yes.  And it wasn’t a lie, but it wasn’t the whole truth either.  Henry had been good.

He had given me a home, children, a stable life.  But the happiness, the true happiness I had known before, that had never returned to me. How can you explain that you have spent your entire life trying to forget something that your body refuses to forget?  Even in the sweetest moments, there was always a shadow. Always that number 9.

After Henry’s death, I found myself alone.  My children were adults, married, with their own lives. I lived in a small apartment in the centre of Senley.  From my window, I could see the cathedral and the old alleyways where I had grown up.  The years passed in a sort of fog. I would get up, do my shopping, watch television, reassuring daily gestures in their banality.

But at night, the dreams always returned.  The corridor, the door, the minutes.  Even at 80, even at 80, my body remembered.  For all these decades, I haven’t spoken to anyone about what really happened.  Not to my children, not to Henry. I thought that if I didn’t talk about it, it would eventually disappear. But time erases nothing.

Time buries, it covers. But it doesn’t heal.  The wounds remain there beneath the surface.  A simple noise, a door slamming.  And suddenly, I was 20 years old again.  In 2009, 66 years after my release, a young historian came to see me.  Her name was Claire Dufren, she was doing research on the makeshift detention centers set up during the occupation.

She had found my name in an incomplete register at the national archives.  She wanted to know if I would agree to testify.  I initially refused.  I was 84 years old.  My hands were trembling.  Why reopen this wound after spending my whole life trying to close it?  But Claire came back .  She told me, “If you don’t speak up , no one will know.

And if no one knows, it’s as if it never existed. These women deserve to be remembered.” And I realized she was right. Marguerite, Thérèse, Simone, Louise. All these girls deserved to be remembered. They deserved for someone to say, “They were there, they existed, they suffered, they resisted.” So, I agreed.

” The interview took place in my small apartment in Slis over two afternoons in November 2009. Claire set up a camera on a tripod. She asked me questions, and for the first time in 64 years, I spoke. I told her about the room, the minutes, the girls’ faces, the names I had tried not to forget. I told her about Simone and her storytelling circles, about Marguerite who no longer spoke, about Thérèse who prayed even when she no longer believed in anything.

And I told her about that soldier, the one who sat in silence, the one who had said, “I’m sorry.” Claire asked me if I had forgiven him. I answered no, because for me, forgiving would have meant accepting that what had happened could be erased. And it can’t, it mustn’t. But I also said that I understood something broader now, that war doesn’t just transform its victims, it  It also transforms the executioners.

And as long as we, as humanity, continue to build systems where human beings can be reduced to numbers, to minutes, to objects, nothing will truly change. Four years after that interview, I fell ill. Amenorrhea. The doctors told me I didn’t have much time left, a few months, maybe a year.

Marie, my daughter, came to see me in the hospital. She was crying. She asked me why I had never told her about any of this, why I had carried this burden alone for so long. I told her I didn’t want her to grow up with this shadow, that I wanted her to know a world where these things belonged to the past. But now I understand that silence protects no one, that silence, in fact, allows these things to happen again .

I died on March 18, 2013, in a small hospital room in Compiègne, not far from where it all began, some years later.  early. But before leaving, I made a request of Claire. I asked her to make sure that this recording didn’t disappear , that someone, somewhere, listened to it, that the 9 minutes in Room 6 weren’t erased from history.

Today, if you’re listening to this testimony, it’s because Claire kept her promise, because she refused to let our voices be lost. I don’t know how you’ll feel when you hear this story. Maybe anger, maybe sadness, maybe even disbelief. How could human beings do this to other human beings? But if I can leave you with just one thing, it’s this.

We are not only what happens to us. We are also what we choose to keep, what we choose to pass on, what we refuse to forget. In Room 6, for 9 minutes at a time, they tried to reduce us to nothing. But we kept our  Names, our stories, our memories, and now, decades later, you hear them. That, he couldn’t take from us. That, no one ever will .

This story is not just a testimony of the past; it is a warning for the future. Élise Martrieux carried the weight of nine minutes for 64 years. A burden so heavy that she preferred silence to reliving that pain. But before she passed away, she chose to break that silence, not for herself, but for all those who never had that chance.

For Marguerite, who died at ten years old, for Thérèse, who prayed until her last breath. For Simone, who refused to abandon her humanity. Their voices can only resonate today if you agree to listen to them, to carry them, to pass them on. If this story has touched you, if it has awakened something in you—anger,  sadness, revolt, action, or simply an awareness— then don’t let it die here.

Subscribe to this channel so that more stories like this one can continue to exist. Turn on notifications so you don’t miss any documentaries. Leave a like if you think these stories deserve to be told, and above all, take a moment to write in the comments where you’re watching this documentary from? What did Elise’s story awaken in you? What lessons do you take away from these minutes that marked an entire life? We live in a world where it’s easy to forget, where history dissolves in the constant noise of the news, where the suffering of the past

becomes cold statistics in dusty books. But Elise was not a statistic. She was a 20-year-old girl who loved watching her father forge metal. She was a mother who sang lullabies to her children. She was a woman who survived the unthinkable and who, at the twilight of her life, chose to share her truth with the world.

This choice only has meaning if everyone decides to Honor him. So, share this video, talk about it, write a comment—even a short one, even a simple one— because every voice that rises to say “I remember” is a victory against oblivion. And oblivion is exactly what he wanted. For these women to disappear, for their nine minutes to be erased from history.

But as long as there are people to listen, to remember, to pass on their story, they will remain alive.